Pregnant bodies are easier for society to accommodate. What follows birth is a different, messier story.

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With unexpected humor, with an unflinching camera, with some guilt and some pain, BREASTMILK takes the unusual risk of examining what breast milk truly means.


We are often told that breast milk is better. Better for babies, better for mothers, better for nutrition, health, well-being, and society. Many accept this and yet there are still very few women who succeed in breastfeeding exclusively for the recommended six months and beyond. What would it take to change?

 
 

Director’s Statement

 

BREASTMILK is about how people cope with one of the most intimate decisions they will make in their lives and how those around them react. There are dozens of instructional videos and books, battalions of breastfeeding experts and lactation consultants, and DIY how-to videos on YouTube, but no film has followed real people, showing what breastfeeding is really like and whether they succeed or fail to meet their goals, or inhabit some gray area in between.

In a society that values efficiency, multitasking, and diagnostic solutions to problems, and in which women's roles are constantly changing, how does the practice of breastfeeding, with the slower pace it requires, fit in? Do we use pumps, medicine, and other means to make breastfeeding suit our schedules better, or should we change ourselves? These questions, along with the current state of women's politics, feminism, and reproductive health, made breastfeeding an irresistible subject for me.

BREASTMILK also explores how the personal is political. In the early 1960’s, at the dawn of the women’s rights movement, biological feminism meant access to The Pill – an event that forever changed society and women’s roles in it. Traditional women’s roles, including childbirth and breastfeeding but also domestic pursuits, were not always a welcome part of this new feminist picture. Today as millions of women decide when and how to give birth and when and how to breastfeed, it has taken on a broader, more complete meaning. Biological feminism is more than the pill or being pro-choice. It is also about the choice to use one’s body to have babies--and breastfeed.

Our style is observational. We wanted to remain neutral and open to all experiences and to include all women viewers, rather than exclude or judge those who don’t breastfeed. We are not trying to convince women to breastfeed. Rather, we are exposing the real-life predicaments that frequently make it difficult for women to achieve their goals.

- Dana Ben-Ari

Executive Producers

 

Actor, television personality, advocate and pop-culture icon, Ricki Lake serves as executive producer on BREASTMILK following up on her role as executive producer of the critically acclaimed documentary THE BUSINESS OF BEING BORN, which debuted at the 2007 Tribeca Film Festival and examined natural childbirth in the United States.

Abby Epstein directed the acclaimed documentary THE BUSINESS OF BEING BORN, heralded as a “must-see for every pregnant woman.” The film premiered at the 2007 Tribeca Film Festival where it was named among the “Best of the Fest” by New York Magazine and The Wall Street Journal.

Left to right: Dana Ben-Ari, Abby Epstein, and Ricki Lake at NYC premiere.

BREASTMILK received critical acclaim following its theatrical release and has appeared on Netflix and Bravo. The film is currently available on iTunes, Amazon Prime Video, and Google Play. Screenings and talkbacks have taken place in NYC, L.A., San Francisco, Toronto, and Australia.

 

 Archived Events

Director: Dana Ben-Ari
Executive Producers: Ricki Lake, Abby Epstein, Nikola Duravcevic, Lindsey Clennell
Associate Producer: Tania Cypriano
Cinematographer: Jake Clennell
Editors: Hisayo Kushida, Molly Snyder-Fink
Music: Joel Hamburger

(USA, 2014, 1 hr 31 min)